comb eh brush eh crimp eh, oil eh mess eh spoil eh. comb eh brrush eh crimp eh. oil eh mmess eh spoil eh. spoil ehh. spoil eh spooil duhmove to me likure practising urecooos like a ringneckd dove! wind and coil, bend and twist, swells with water, smoothes with oil, now its morning and ive been thinking like allll night, its perfectly natural. take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a cherry pick a tissue, my hair its black climb up eh. lean out the window climb up eh

according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

limited edition of 150 copies on white vinyl.
according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

look who dug a hole through the earth… fresh in berlin from the subtropic suns of la, draveng is coming up in your schrebergarten with a cup of coffee and three exercises for allergy season.
side a: first comes *dubious smink*, a rubbery wink of a snake’s housework. then, open up and say laaa for the the vocal mix of synth rearranger, *no flex fit*.
side b: things get dramatic here. wilderness whimpers while wind whips water before moses staff parts 4 to the floor kicks from divine mathematics. j. tijn does what he does best and sears *for thin soles* into a blown out roller.

inside these airless sarcophagi, the passing of time renders objects once forged from molten metals as fragile as paper, so delicate a gust of wind could destroy them for ever. once deadly weapons now oxidised to dust are proof of the futility of man in the face of time. all regimes will crumble over years, all empires turn to dust…the more potent an object in its former life, the more poignancy in its nebulous disintegration. the shattered radio controls, the gun turned to a rusted block like a child s toy, the bullets corroded to nothing are all exiled from their brutal pasts. what messages are locked in time that passed through the obliterated decoding machine, who alive if anyone can tell its secrets.

the constant state label launches in style with a record from ian blevins & phil moodys al gobi outfit, who had something of a breakthrough 2013 with releases for disco bloodbath, rothmans, culprit la and audio parallax. while the original mix of a cup of tea is dark and unsettled - beautifully balanced bass notes and piano cutting through heavy, storm-pregnant air, cottams accompanying remix is the distillation of a second wind. his tribal, twisted, acidic treatment of this 3am concrete bunker anthem never overwhelms the piano refrain, instead giving it a new life, like the ghost of a party suddenly bequeathed fresh purpose as tired legs find boundless energy.

liquid swords instrumentals and -battle scene- print bundle. this bundle includes the 2-lp white and black instrumental vinyl housed in an original screen printed jacket, and the 18x18 inch print of the albums -battle scene-. to have the complete instrumentals and this amazing art print is essential for any gza and wu-tang fan and collector.

young marco stepped into the esp institute one day in 2012 with a handful of undeniably brilliant music, and has ever since maintained an integral role in the mission of the label

location 141? location unknown? although one would hazard a guess at somewhere in the ether between chicago and detroit (that is, of course, if we didnt know any better). this mysterious créature de la nuit sits comfortably between the two places of influence and bends them into his own style to herald rogue cat sounds first emergence of 2014 and, in doing so, unfurls two killer, bumpin and weighty jams for the discernable discoid freaks in all of us.

seit dem letzten jahr gehören joy adegoke und wim janssens als joy wellboy zur bpitch control-familie. neben ihrem beitrag für die where the wind blows-compilation gehörte auch ihr debütalbum yorokobis mantra zu den highlights des pbc-jahres 2013. nach ihrer single mickey remedy kommt nun ihr lp-opener before the sunrise in vier unterschiedlichen versionen. diese stammen von bpc-urgestein kiki, innervisions-mitbegründer dixon und matthew patterson curry alias safety scissors plus radio edit (early bird version)!
btw: tracklist mistake on the vinyl : dixon mix you will find on b1, and safety scissors remix on a2

vinyl release of the worldwide no.1 smash hit album featuring *happy* from the *despicable me 2* soundtrack.

a touch of classical music, left field electronics, ambient love affairs, and discreet dubby house emotions without a kick drum: the third instalment of mule musiqs famed enjoy the silence sampler serial swings gentle, tricky, and multidimensional

after releases on dont be afraid and astro:dynamics, as well as a contribution to fifth walls no person is an island v/a charity compilation, berlin-via-london producer alis returns to hound scales and divvorces fifth wall imprint with the apache ep. the a side is home to her two original productions: *apache*, a waterlogged, wind-blown journey through arcane, genre-bending techno, and *modus*, a more direct outing with an acid line that could take the paint off your mothers car. two sweltering reinterpretations of *apache*, one by brooklyn tunesmith ital and another by fellow fifth waller matrixxman, populate the b side.

die in seattle geborene camea gehört spaetestens seit ihrer city watch over me ep zu den aufstrebenden künstlern von bpitch control. nach ihrem dub-electronica-beitrag love on the balcony fuer die where the wind blows-compilation untermauerte die letztjaehrige neverwhere ep eindrucksvoll ihr gespuer für raumfuellende grooves und formvollendete melodien. nun erscheinen mit der remix edition von neverwhere vier neuinterpretationen, die allesamt neue facetten aufzeigen.

neon neon, die für den mercury und welsh music prize nominiert sind, veröffentlichen diese düstere und nachdenkliche ep, die ihr von der kritik gefeiertes album begleitet. die ep dokumentiert die letzten harten jahre giangiacomo feltrinellis lebens. faszinierende instrumentalpassagen und chorale vocals machen diese ep rund und vollkommen.
pressung auf orange-transparentem vinyl, download-code liegt bei.

nach seinem selbstbetitelten debüt und dem zweitling *north and south* präsentiert milow mit *silver linings seinen nunmehr dritten longplayer. das besondere an diesem album: der belgische singer und songwriter arbeitete hieran so, als wäre es sein erstes. nachdem er über fünf jahre nonstop auf tour in europa gewesen war, verordnete er sich selbst eine pause im sonnigen los angeles. als er sich besser fühlte, begann er wieder songs zu schreiben - 40 stück an der zahl.
die vinyl-lp erscheint im klappcover, inklusive downloadcode für das gesamte album.

sam veröffentlichen ihr erstes richtiges album! nach ihrem mixtape zweinullzwÖlf, touren mit rap-superstar cro durch deutschland, Österreich und die schweiz und der wir-ep, sind die zwei brüder zurück dorthin gegangen, wo alles angefangen hat: vorort-idylle und two turntables and a mic, afrika im herz und die schwäbische alb im blick. straight outta ochsenhausen. sam wurde der clash der kulturen quasi in die wiege gelegt. die vinyl lp erscheint im klappcover, inklusive cd-version des albums.

oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.
repress in standard sleeve.

alfred e neumans alter ego maddisco edits has been making dance floors go mad with his resent vinyl releases, well now the man himself is releasing more edits but with a more psychedelic/balearic/leftfield flavour on his new label ideophone records. pressing on translucent, red colored vinyl.

new fresh fruits on the table! for this fifth episode frucht have something quite different, a 4 track compilation which his style and genre travels through a tunnel of what frucht see as the future of electronic dance music.

triple vinyl pack from the suruba camp, featuring these eps:
- suruba009: ludovic vendi – ending (remixes)
- sx001: alex grzybowski – jagged fields
- sx005: los suruba – chuck ep (the remixes)

the new year starts with the welcome news that the cosmologist returns with episode three of the cosmology series. trip 1 started life as a tribute to 70s radical firebrands the last poets and their 1977 clarion call to arms, *its a trip*. a loose and ever changing collective, the initial line up was formed on may 19.1968 to mark malcolm xs birthday, having all met at east wind, a harlem based writers work shop. they took their name from a revolutionary south african poet keorapetse kgositisile who rightly prophesized that the talking would soon give way to the persuasiveness of the gun. continuing that thought, civil rights for african americans was very much the beat of the last poets, a cause they would champion and indeed, were not afraid to back up their mighty words with direct action.

limited edition of 500 vinyl copies in special die-cut sleeves.
oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.

block rocking, pop locking lonely c and baby prince are at it again with their latest fraiche ep on soul clap records. the troublemaking two-some take us back to 2011. it was a weekend in late august and new york city was practically under martial law. news tickers warned frightened citizens that a hurricane called irene would strike at any minute, flooding most of manhattan and williamsburg where the boys sat gleefully snacking and talking shit inside the world famous marcy hotel. with all airplanes grounded and the trains halted it became clear that lc & bp were going nowhere. it began to rain, the wind picked up and as the skies darkened, nyc declared a state of emergency.

subwax bcn is proud to present, for the first time on vinyl another yagya album masterpiece! these beautiful timeless dub techno & ambient pieces was originally released in 2006 but only on cd. will i dream during the process is a timeless journey into dub techno & ambient heaven. essential!

then last up to wind down the ep, tuccillo turns in so hot feat. ch brown dropping the tempo slightly and introducing mr. browns hypnotic vocal lines alongside raw rhythms and tweaking acid bass.

we are looking forward to introduce marco resmanns new ep on watergate record, which starts off with a rad-feature: life about to change is a vocal-based track, whose dreamy synth-scapes wind around a deeply reduced beat structure

cgi is proud to present the long overdue vinyl debut of cc, one of the most talented djs and producers currently working outside of the limelight. this release follows up *up wind*, his outstanding 2012 digital ep for jass, and precedes his forthcoming debut 12 inch ep for proper trax.

more tracks selected by the running back head honcho, gerd janson, for our continuing music for autobahns series. this 12inch includes tracks previously only on the cd release plus some exclusives varied and roadworthy electronics that can also be used in cycle lanes and footpaths...tip!

the acid arabic wind has not finished blowing. after the warm welcome of our collections ep01, versatile proudly present four new tracks for eclectic and demanding dance rooms. once again, guido, hervé and sex schön from acid arab deliver one track and have asked producers from all over the world to contribute to the project. as you can see, some of the best musicians of our era have answered positively.

liquid spirit marks gregory porters blue note records debut, which arrives on the heels of two critically acclaimed indie label albums that quickly propelled porter to the upper echelon of contemporary male jazz singers and earned him two grammy nominations. don was, president of blue note, encouraged porter to stay true to his artistic vision.
*i firmly consider myself a jazz singer but i enjoy blues, southern soul, and gospel,* porter says, *those elements make their way inside my music. and i ve always heard them in jazz.*

cole williams heißt der mann, dessen stimme uns sowohl in den intensiven höhen als auch in den souligen mittelparts seiner songs ergreift. zugleich tief melancholisch, irre groovig und wenn er will, sogar ein bisschen prollig. es ist aber nicht nur wie er es sagt, sondern vor allem was er sagt: die explizit durchdachten und bedeutungsstarken lyrics erhalten gepaart mit der wow-stimme von cole williams und den belebenden beats echten tiefgang. auf diese art transformiert the child of lov den häufig recht verstaubten soul ins 21. jahrhundert.
pressung auf 180 gramm virgin-vinyl, mp3-download inklusive.

house split ep with lay-far & matt flores

ltd subotnik triple pack with tracks from josh, yuuki hori, modul, paride saraceni and many more. incl two stickers, vinyl only

the second release from swedens tommy awards is another essential 4 track ep. side a continues from where the first ep left off, with two tracks of blissful balearic vibes. if you liked land of lights recent release then this should definitely appeal to you. side b reveals another side to tommy awards and shows the guys are no slouch when it comes to producing in the electronic realm, employing vintage synths and drum machines to create gale force, the ballad of the wind. for the final track, is it balearic head honchos coyote take on the difficult task of remixing last years classic, blind andy, and come out victorious, adding elements of acid and making the track altogether deeper. is it summer yet?

the music of tokyo-based englishman max essa is like a fine wine, it can be only stored in the finest oak barrels, it can only be aged correctly and it can only be drunk when completely ready. maxs approach is far from conventional, emotional content plays a major part in his works and now we find him on his third bearfunk long player won ton sunrise.

this time label boss jacek sienkiewicz goes under his alias reserved for club-oriented tracks, which is, well, recognition. we got accustomed to jaceks slight changes of style, or rather changes in his approach to music over the years, and this record is no exception: ditching his trademark, long, painstakingly elaborate and complex tunes in favor of probably the most straightforward, uplifting, fresh tracks in a long time.

nice price deal !!! so now, here is karezza by the way, karezza is not the soft feel of the wind on your skin but magick extreme tantric sex, the end of a voyage for us in a way, the beginning for you. a record to be proud of, albeit not an easy one. it has already blown away acid luminaries like james holden, ed chemical, piers martin, konrad black, it will certainly enlighten many more in many dark ways.

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

the recordings for the wires cracked were completed in a frenzied two week period in october of 2012. i had mentioned in discussing a previous albums construction that i prefer to forget how i build any particular electro-acoustic amalgam. this is so that i dont get to precious with them, so that i could refine them further, so that the sounds themselves speak beyond their aggregate parts. with the album being relatively fresh in my mind, i can still recall various components to the wires cracked -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the slac national accelerator laboratory operated by stanford university, and the tremolo rhythms from a thin wire that still get me thinking fondly of günter schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. that is probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal. (jim haynes)

through the fresh wind of young artists coupled with the experience of renowned remixers, embi music will continue the central theme and is going to the third vinyl round!

people have all the power - they just have to remember it, findet steve mason und sorgt mit seinem neuen eklektischen meisterstück *monkey minds in the devils time* für revolutionären wind in der flaute der aktuell doch sehr unpolitischen popwelt. das neue album besticht nicht nur durch seinen inhaltlichen tiefgang. dass der ex-beta band sänger mason auf stolze fünfzehn jahre erfahrung als musiker zurückgreift und produzent dan carey (hot chip, bat for lashes) seine finger im spiel hatte, merkt man dem album an. das glanzstück *monkey minds in the devils times* ist an musikalischem facettenreichtum zwischen pop, indie und elektronik kaum zu überbieten.

like the satisfying first sip of soda water spritz, roland tings debut ep, *milky way*, bubbles, barms, and beads through your body. roland tings is rohan newman, a melbourne producer who, like recent rubies holy balm, forces, and canyons, proves there is just more and more greatness behind the great and powerful oz. melodic acid trips doused with swish-ticky-booms, like a rubber ball in space with endless bump and bounce. sweet off his japanese jaunt, speeding things down with sapphire slows shows, newmans taste is pure effervescence and buoyancy. but he has got a percussive stickiness as well, a vim/vigor that raps and rips through trax touch-ups and echo-plexes. not the nineties but the none-ties – no glimmer glam, or sampladelic vocal vacations, or happy house heartbeats. he ends the creamy *milky way* with a brilliantly wonky theme that springs like a wind-up toy gone loose. roland tings, dings, and zings.

double 12 inch lp, 1 white + 1 black vinyl in gatefold jacket. digital download code included.

away from the hypnotic mayhem of the floating roofscapes, we see fractured images cycling faster. just as clouds follow the wind, airy soundscapes track the low-end groundwork with grainy artifacts bursting in amongst the thick. lost in this surrounding ambience, the b side carves its way with a resonant materiality where shattering hi-hats pull you out of a hypnotic semi-dormant state. (b2) enters a sound voyage, an intimate balance between gloomy atmospheres, dark sirens and repeated upcoming unidentified melodies, that play against the ceaseless motion of the hi-hat motive.

die vielgepriesenen multiinstrumentalisten der menahan street band veröffentlichen ihr zweites album the crossing auf dem daptone records-ableger dunham records. der titeltrack des albums hatte seine premiere am 1. august auf rollingstone.com.
neben ihrer rolle als offizielle hausband des brooklyner labels dunham records hat die menahan street band bereits 2008 ein erstes album veröffentlicht, dass nicht nur von den kritikern bejubelt wurde sondern auch deshalb von sich reden macht, weil es so oft gesampelt wurde, wie kaum eine andere zeitgenössische funk- oder soul-platte. samples von made the road by walking finden sich unter anderem in songs von weltbekannten kollegen wie jay-z, 50 cent, kid cudi und vielen anderen. 2011 spielte die band no time for dreaming, das debüt-album der soul-sensation charles bradley ein den sie auf seiner welt-tournee auch als backingband begleiteten. das album wurde co-komponiert und produziert von mbs-gründungsmitglied thomas brenneck.

presenting roberto ausers new independent label, future exotica is a very original and excellent sounding take on the westcoast cocadisco sound. a real roberto auser signature sound in a high quality. with previous releases on viewlexx, bearfunk and others, this one appears limited to 300 and comes in a carefully designed, beautifully silkscreened and hand numbered artwork by the man himself. in all, a product of pure passion! (first 50 get free poster!) check out the sickest blend of dark tribal exotica and monkey voodoo around...

2011 solo album from the rage against the machine guitarist.